Chantal on her plot of land of which she dreams to build aklala batik workroom and boutiqueBackground
Kpalime, situated in the Plateau Region of Togo, serves as one of Togo's top tourist destinations and hosts a rich community of artisans. The artistic community plays a large role in the development of the town bringing in large amounts of tourists during the summer and holiday months. Yet, with a growing population of over 65,000 and a weak economy, Kpalime continues to struggle with unemployment, corruption and poverty.
There is a large population of orphans living in and around Kpalime. Many children are taken in by willing households but still receive little financial support for their education and development. They are most often found working for the family who was kind enough to give them a place to live, staying at the home doing a wide variety of chores. They will live a life destined to remain dependent on others and will have very little opportunity to succeed in a skilled trade or profession.
With a concentration of artisans, Kpalime offers apprenticeships in a wide range of crafts at private and public training centers. However, these training programs are expensive, costing 200,000 CFA or more (approximately $100). When the average family supports itself on $2 a day, such an investment is outside the reach of many young men and women—especially for orphans who were lucky enough to have found a home. Aklala Batik's technical training center and workshop would grant free apprenticeships to orphans and give them an opportunity to learn a trade and support themselves.
Project Goals
Construction of a workshop, training center, storefront, and housing to aid in the education and employment of orphans and underprivileged individuals from Kpalime and surrounding villages.
Promotion of batik artistry and tourism through organized, short-term classes.
Creation of jobs in Kpalime.
Expansion of Aklala Batik's capacity through trained staff and sustainable business structure.
Populations Directly Benefiting
Orphans and underprivileged children and adults who have no means of support living in and around the Kpalime region.
Local entrepreneurs who seek partners in order to access more of the market.
Local youth who are interested in learning a skilled trade at a low cost, through weekly formations or year-long programs.
Tourists can benefit from taking classes in the traditional crafts of the region and learning the skilled trades of the country allowing more cross-cultural experiences and collaboration.
Community development through the promotion of skilled trades, allowing for increased revenue from tourism.
The site
and a pile of bricks..to build the center
Chantal and business partner No-no researching the site of a potential temporary exhibition hall.


A cute cap perfect for a dame or gent






Me (Megan Rhodes PCV Togo 2007-2009) at SIAO talking with an Artisan from Mail.










Wax and hot water is heated over wood and coal cookstoves to be used in the process.
The cloth is then stamped with wax using a wooden or foam stamp to preserve the underlaying color. A single cloth can go through numerous color baths, using wax to save each color in the layer.
Once the color is set, the fabric is then dunked in a hot bath with a solvent that will help release the wax from the tissue.
After the bath, the cloth is shaken and snapped to remove any leftover wax and then hung on the line to dry in the hot African sun.
Once the fabric is dyed, dried and pressed it is then sewn using a foot-pedal machine into bags, clothes and accessories. All stages of the process are hand controlled and time intensive.





Great shoulder bag for trips to class or the office.